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Who was Cassandra?


  • In the Iliad, she is described as the loveliest of the daughters of Priam (King of Troy), and gifted with prophecy. The god Apollo loved her, but she spurned him. As a punishment, he decreed that no one would ever believe her. So when she told her fellow Trojans that the Greeks were hiding inside the wooden horse...well, you know what happened.

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« Dream of the Bony Fish: part 3 | Main | Translating the Garden »

June 23, 2012

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I can only try and imagine the atmosphere. It must be riveting.

You mean June 24 when you say 23, I hope. If not I'm all wrong. Enjoy reading you.

I always like that John the Baptist's feast day is his birthday, rather than his deathday. Seems appropriate.

(Ellena, maybe they celebrate the Eve rather than the day? El Noche de San Juan, Puerto Rico's big day, they celebrate that on the 23rd.)

Yes, of course, Ellena! Thanks for catching my mistake!

Dale, yes, and aren't all Catholic saints'-days on their birthdays? Or supposed birthdays? Not sure but I think so. St-Jean-Baptiste is always celebrated "on the day" - like July 4th, and Christmas. In fact, I can hear drums from the défilé right now.

No, most saints days are their death days. (We don't know most of their birthdays!)

Birthday, deathday, nameday???and if nameday why on a particular day? Started to read up on it. To much - I need to get ready for
celebrations in Ste.Adele.

Perhaps this is somewhat crass, given the occasion, but I take it counter-tenors are rare enough to expect pay for what they do. That they are professionals. Hence the fact that Simon is "moving on".

As to the bony fish, may I recommend the daurade (sea bream) I recently consumed. It has bones but its chubby contours mean that even I - so grubby and mal-managed round the table - am able easily to separate the edible from the non-edible parts.

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Hope you had a good time, Ellena!

Lorenzo, Simon was already being paid; he's one of eight paid soloists in our choir. He's moving to Toronto with his girlfriend who's pursing graduate studies. Counter-tenors are indeed rare but I suppose their remuneration depends, as for all professional musicians, on where they're living, how good they are, and the opportunities at hand. Back in Vermont I knew a very fine counter-tenor who was rarely paid for anything. But here in the city, with its rather European flavor, there's quite a lot of early music and liturgical music, so it must be somewhat easier to find work. Most of the pros in our choir still have to have other jobs, though - teaching or translating or whatever - even though they sing with the symphony or opera and with other groups.

Thanks for the head's up. I listened to the music and also to a familiar voice (yours) reading the first lesson.

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